A Seat And Its Double: On One Side It Encloses And Protects, On The Other It Opens Up And Welcomes. A Clear Ambivalence Which Elaborately Separates Form And Content, Image And Concept, The Name Hood Hints At This Double Function. The Hood Is Both An Ancient And Contemporary Urban Symbol; It Protects And Frames The Face But It Can Also Hide It, Signalling A Refusal To Communicate Or Interact. The Impact Is Intense, And Everything Is A Game Of Contrast: The Three Dimensional Seat Seems To Imply The Two-Dimensionality Of A Drawing, The Overlapping Colours Don’T Divide But Complement, Tension Isn’T Alleviated But Stabilized. Clarissa Is A Dynamic Easy Chair,Ready For Action But Open To Relaxation, The Temporary Suspension Of Activity. A Combination Of Competition And Collaboration, Provocation And Aesthetics. For More Information And Personalized Advice Contact Us Or Request A Quote.
Technical Details
Designer
- Patricia Urquiola
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